Un arrangement un rien désuet et charmant de Bohemian Rhapsody joué par un orgue de foire centenaire
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Catégorie : Écouter
Kutiman continue ses grandes œuvres de mélange des genres à Hamburg
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Medieval in metro
Vous êtes un groupe de chant médiéval, vous trainez dans le métro islandais, l’acoustique est bonne…
They’re the Icelandic folk group Árstíðir. On this particular night, they had just finished a concert in Wuppertal, Germany, and were making their way back to their lodgings when they were struck by the station’s perfect acoustics. Its arched, stone ceiling created a cathedral-like environment.
Boosted by the success of the evening, the six men broke into song. A hush immediately fell over passersby, some of whom almost certainly missed their trains to stay and listen to the beautiful harmonies.
Lo vi en Atlas Obscura – Latest Articles and Places http://ift.tt/2cCwSy8
Dolby a refait son installation à San Francisco avec plein de jolies lumières et aussi illustré cela avec des violoncellistes guidés par la vidéo en réalité virtuelle.
Bref si vous voulez voir des violoncellistes jouer comme des autistes avec un casque de VR sur la tête. Cette vidéo est pour vous.
https://www.behance.net/gallery/42864055/Collide-synaesthetic-art-installation
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Walk this way
Comment accoucher dans la douleur (et la coke) d’une chanson entre les étoiles montantes du rap et vacillante du rock :
https://www.washingtonpost.com
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The Grindmother
Une grand-mère de 67 ans se passionne pour le grindcore et hurle plus fort que tout ces petits jeunes sans énergie.
When you’re a 67-year old mother into singing grindcore, what else are you going to call yourself?
Lo vi en Rejected Princesses http://ift.tt/221hjRl
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Exit Sandman
Enter Sandman joué à l’envers, lu à l’endroit!
Lo vi en Enter Sandman played live backwards http://ift.tt/1F1P4WK
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Soundfighter (alpha 3)
Ou comment redéfinir une battle musicale :
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Vinyl beatbox
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Qu’importe le flacon
Pourvu qu’on ai l’ivresse (sonore)
Voilà une façon originale de presser des pirates.
The history of pirated music extends far deeper than people just not wanting to pay money for something. The Soviet Union, circa the 1940s and ’50s, was a place with zero tolerance for "ideologically foreign" music, according to a 2011 piece in Der Spiegel (via FACT). American jazz, blues, and rock and roll were musics that could get their listener thrown out of school or, worse, sent to prison or a labor camp.
Nonetheless, demand persisted, particularly among Soviet hipsters known as stilyagi. The actual machine for putting music onto records, the "recording apparatus," was easy enough to build, but the record material itself, celluloid, was another matter. "An unexpected path that led to where no one would have guessed the solution: in the archives of the Leningrad hospitals," Der Spiegel recounts (translation by Google). "There outsourced thousands of old x-rays, for which nobody use. Images of broken hands and feet, ribs, skull caves and hip bones." Radiographic film isn’t quite the same as celluloid or its successors, and was prone to irregularities and bending/warping, the result being "wild antics" in playback.
"Rock on the bones" or "skeleton of my grandmother" became keywords for the pirated material, which might be purchased from a dealer in some dark corner of a Moscow subway station. The underground trend went on for some 15 years, only to be subsumed by the introduction of cassette tapes, a device that, relatively speaking, would seem to be invented with pirates in mind.
Image: Wiki
Lo vi en Motherboard RSS Feed http://ift.tt/1iXfJHv
Reversed Music Icons Fandom Project by Butcher Billy
The story of band t-shirts started in the 60’s and 70’s when hard rock had its heyday. Die-hard fans, who religiously supported their favourite acts, showed it to the world by wearing the fittingly ugly merchandise.
That continued in the next decades spreading to all genres of pop music that could generate a fandom, and eventually even rockstars started using t-shirts featuring their own music heroes, proudly reverencing to the world the past influences to their creative process.
This is a series that reverses the natural course of pop culture hierarchy – the influencer will sport the shirt of the influenced – completely messing with space time continuum and raising the question:
Bands and musicians that became hugely influential in music history – would they, when alive or in an early stage of their careers, support the new acts that came decades after inspired by their own legacy?
On Behance
Lo vi en BILLY THE BUTCHER http://ift.tt/1mpHvhU
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Uber hypster music
Vous êtes tellement snob que vous refuser d’écouter quelque chose qui aurait déjà été écouté? Utilisez Forgotify. Un petit moteur qui propose à l’écoute l’un des 4 millions de morceaux jamais écouté sur spotify…
